Soprano

INNA
DEMENKOVA

This season, Inna makes her debut at Theatre an der Wien as Berenice L’occasione fa il ladro, returns to Bühnen Bern for her role debut as the Countess Almaviva Le nozze di Figaro and performs in the Festive Holiday Concert by the Netherlands Philharmonic. Further engagements include her debut at The Metropolitan Opera.

“Inna Demenkova first. What a phenomenal singer she is. A beautiful, even, darkly timbered, but crystal clear soprano voice, which technically can completely transform her entire palette of colors, dynamic range and expression into singing that moves. Every scene with her was impressive”

Opera Magazine

“The daughter, Lauretta, was superbly sung by the Russian soprano Inna Demenkova... Her sparkling soprano voice is very beautiful, the role is well suited to her voice and it was comical, without detracting from the beauty of the aria"

Place de l'Opera

“Another of the most applauded singers was the soprano Inna Demenkova, also a Russian singer with an exquisite timbre, which she exhibited in the character of Suor Genovieffa in Suor Angelica. But her Lauretta, in Gianni Schicchi, allowed her to enjoy the only applauded interruption of the evening: the popular aria O mio babbino caro, which she sang with a perfectly calculated pout"

El Pais

“What a voice, what a charisma and above all what empathy she displayed once again. She already did this in several performances last year, such as in Ändere die Welt, but in Paradiso she sang so beautifully that the audience, which had long held back from applauding after every aria or duet, could no longer hold back after another beautiful aria. Bravas and thunderous applause descended upon her!"

Place de l'Opera

“Demenkova has a presence like a born prima donna and already lets us see the allure necessary to succeed in the profession. She also possesses a golden instrument: her strong, rounded soprano — and especially the ease and freedom with which she uses it — earned her loud bravo calls during the performance"

Die Presse

“Demenkova's "O mio babbino caro..." was every bit as irresistible as it should have been"

Bachtrack

“Fortunately there is Demenkova; with her Requiem aeternam she draws the entire hall towards her"

NRC